In Alexander's Vermillion Sands, he bridges the divide between today's materialistic world and an enduring spirituality. His scenes are pared down, spotlighting faceless figures crafted to perfection: flawlessly sculpted, impeccably attired, and gracefully positioned. These figures, mirroring an exaggerated reality, seem superficial, suggesting depth without truly embodying it.
Behind these primary figures lie hand-sketched designs and intentional voids. These sketches, though subtle, contrast sharply, hinting at something deeper. They edge towards meaning but never fully reveal it.
In the realm of Love Between The Atoms, perfection is not only achievable but also excessive. This world interweaves allure with oddity. Yet, one wonders, beyond their impeccable exterior, do these figures signify anything deeper? Their isolated positioning hints at a sense of powerlessness. Maybe genuine significance and its inherent potential lie in the incomplete and ambiguous? Could it be that real essence is concealed in the overlooked details, waiting to be unearthed?
Exhibited:
Mark Alexander: Love Between The Atoms
23 April – 12 Juni 2021
SAUVAGE Bastionstraße 5 40213 Düsseldorf
